The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. Was the above comment useful to you
A mother moves into an old family home to undergo a rigorous treatment that she hopes will help her autistic daughter communicate. The therapy seems successful when the girl miraculously begins to speak. However, she soon discovers that her daughter has come into contact with the tortured entities of the place, who return from beyond to collect a dark debt from the past
年轻女子米歇尔（玛丽·伊丽莎白·温斯特德 Mary Elizabeth Winstead 饰）不久前刚和男友发生争吵，她夜晚驾车奔驰在黑暗的公路上，突然遭遇严重车祸昏迷过去。当她再度醒来时，发现自己被绑住手脚，关在一个密闭的空间里。少顷，一个健硕冷峻的男子霍华德（约翰·古德曼 John Goodman 饰）走了进来。军人出身的霍华德声称地球刚刚遭遇可怕的生化危机，地球人几乎灭亡殆尽。他在数年前未雨绸缪修建了这个设备、资源齐全的避难所，只为生存下去。避难所内，除了霍华德、米歇尔外，还有另外一个年轻男子埃米特。米歇尔对霍华德的说辞半信半疑，她坚信自己遭到了变态狂的拘禁。 真相究竟为何？威胁无处不在……
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